3oh 3 discography
Stylists - Emily De Groot and Yasmin Than.Art direction and design - Anita Marisa Boriboon.Mastered by - Chris Gehringer at Sterling Sound (New York City, NY).Assistant engineered for mix by - Tim Roberts.All songs mixed by - Serban Ghenea at MixStar Studios (Virginia Beach, VA.Booking agents - Matt Galle, Marty Diamond for Paradigm, and Peter Nash.Business management - Jeffrey Schwartz for Tribecca.Management - Ken Levitan, Jack Rovner, Emily Burton, and Nicki Loranger for Vector.The gallery below is a digital copy of the booklet. For lyrics, publishing rights, personnel, and more, see each individual song page.
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"Behind the Scenes at TVC" (Webisode–Kesha on the Road)īooklet and credits The photoshoot was done by Shelby Duncan. "The Showcase" (Webisode–Kesha on the Road) "Manchester" (Webisode–Kesha on the Road) "Your Love Is My Drug" (music video Australia only) "Party at a Rich Dude's House" (live in London) Japanese limited edition and Australian deluxe edition DVD No. "TiK ToK" (Fred Falke club remix) (Japanese and Australian bonus track) "TiK ToK" (Wolfedelic club mix) (Japanese and Australian bonus track) " CUNext Tuesday" (Japanese and Australian bonus track) " V.I.P." (UK, Ireland, Japanese and Australian bonus track) Watson", " Styrofoam", " Acklin Road", " Boots & Boys", " V.I.P.", and " Fuck Him He's a DJ". I think I have more shit to offer, so I think that " Animal" is a nice segue into the next record, hopefully." Īccording to Sonenberg, the original tracklist was to consist of "Stephen", " Red Lipstick", " While You Were Sleeping", " Goodbye", " Backstabber", "Dinosaur", " Mr.
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Me and my brother had a silly punk band before, and I loved pop music and I liked catchy music, but I think I also am possessed to be what some critics might deem as silly pop music. D-I-N-O-S-A-you are a dinosaur." Talking about the genre of the album Kesha stated "I believe, sonically, the next record might be going. "Dinosaur" came "about this old guy who was hitting on me, and his toupee was kind of falling off, and I was like, "Oh my God, you're so old, you're prehistoric, you're like a dinosaur. I wrote the song when I was 16 with my mom, and I was like, "This song's so dope, I know it is". She explained: "it's about this guy I've been stalking since I was 15. She cites her songs " Stephen" and " Dinosaur" as examples of this. "I just write about what I live-literally, I think there's a great pop song in anything and everything, any situation." "I think people need to have fun with whatever they're doing-makeup, their clothes, music, live shows-anything you don't need to take too seriously, don't take too seriously." When asked how the album related to her life, Kesha explained that the album was completely autobiographical. "For girls, I think it's an empowering record, it's funny, it's cheeky," she said. Kesha felt that the album had an empowering, carefree message for young women. The abundance of material extended it from its originally planned twelve tracks to fourteen. Kesha had been working on Animal for seven years prior to its release, and had written over 200 songs for the album. Kesha explained that she chose to sign with the company due to how well she got along with RCA A&R executive Rani Hancock, explaining that "Rani doesn't ever try to censor me, and I like being surrounded by strong, intelligent women." The event led to Kesha being sought after by many major labels, and she eventually signed a multi-album deal with RCA Records. Luke decided to have Kesha perform on the song and within two months, it was a number one hit in multiple countries around the world. Shortly after, Kesha and DAS parted ways and Kesha wound up reunited with Luke.Īt the end of 2008, Luke was working on a track with Flo Rida called " Right Round", and the two decided they needed a female hook. Kara DioGuardi, an artists and repertoire (A&R) representative for Warner, was also interested in signing Kesha but the deal never went through because of the outstanding contract with Luke. DAS searched for a label deal for Kesha despite her still being in a signed contract with Luke. While at DAS she worked with several top writers and producers, but rarely worked with or even spoke to Luke. Luke was busy with other projects at the time, and Kesha ultimately wound up signed to David Sonenberg's management company, DAS. Luke's label, Kemosabe Records, and his publishing company, Prescription Songs. At the age of eighteen, Kesha signed to Dr. Cox, who had worked with Kesha before, passed along the demos to a friend at BMI, who passed it to the manager of Lukasz Gottwald, known as Dr. Kesha had been recording demos for several years, when one of her demos ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. 3.3 Japanese limited edition and Australian deluxe edition DVD.